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We’ve updated our Terms of Use. You can review the changes here.
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from Our Lady of Infinite Sorrows, released January 16, 2021

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R. A. Martini Washington, D.C.

From disfigured, brutal noise to singing violin and ethereal electronics, R. A. Martini uses a wide breadth of textures to create sonic environments invoking aging industrial mechanics, global environmental cycles, and deep wilderness areas. Martini pulls from a wide range of influences including Miles Davis, John Luther Adams, Tim Hecker, The Body, Olivier Messiaen, and Stephen O'Malley. ... more

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